Thangka, Traditional Tibet Painting: Cultural and Negotiating Identities of Minority and Nationality in the Process of China Nation State

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Sun Jia , Supachai Singyabuth , Peera Phanlukthao

Abstract

This study aims to analysis the Thangka, Traditional Tibet Painting: Cultural and Negotiating Identities of Minority and Nationality in the Process of China Nation State. Tibetans, an important part of the Chinese national system, Tibetan art is one of the representative roles of Chinese art and culture. The Tibet Autonomous Region lies on the southwest border of China. After China's reform and opening up, China's economic development has changed the social structure of Tibet, and the trend of opening up has also changed the cultural development policies of the Tibet Autonomous Region. Therefore, under the dimension of state and minority society culture background. With the development of Tibetan culture, Thangka realize its own cultural identity and traditional inventions, including its own unique cultural connotation.


 Under the background of cultural globalization, study the mutual recognition relationship between Tibetans and other Chinese as well as the nation state. During the rapid development of Tibet's tourism industry, transform modern Thangka and Thangka heritage in order to adapt to the demands of cultural tourism.

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